Rosalind Miller paints figures that hover between presence and disappearance. Working in oil on MDF, she uses loose, fluid brushwork to keep forms unstable.

Her imagery comes from found sources—family photographs, television and glimpses from the street. She focuses on the figures in the background, people who are absorbed in their own lives, isolating glances, or postures that hold a quiet emotional charge.

The images are photographed, re-photographed, cropped, and enlarged. A cool, often blue palette suggests the glow of screens and the distance created. With each step, clarity breaks down, the features blur and the figures become more abstract and anonymous. These are not portraits of specific individuals, more shared states of emotions.

The paintings hold back, allowing the viewer recognition without overt explanation.